![]() ![]() ![]() ![]() These ideas swirl around in Rock in the Crucible, Paper in the Lyceum and Scissors in the Studio, each running to the same length, right down to the time of the intervals, and each involving the same excellent 14-strong ensemble. Instead, Bush takes a step back to ask what kind of change is desirable – a question she extends in particular to the role of women in an industry, and indeed a world, that has historically privileged men. Rather, in making repeated reference to Einstein’s assertion that energy can neither be created nor destroyed, a thought bolstered by the line in Ecclesiastes about there being a season for everything, they accept the inevitability of change and transformation. Not that Bush’s three plays are a reactionary paean to the good old days. Middle-aged punk … Susie (Denise Black) dominates Rock. ![]()
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